Photographer Jason Evans about his favourite Patagonia down jacket, referencing club culture, capitalism and consumer culture.

Turner prize winning artist Mark Leckey, and photographer Jason Evans, both of whom featured in Mad About The Boy, speak to curator Lou Stoppard about club culture, masculinity and their respective working practices.

Featuring a young Kate Moss, this fashion film explores and unpicks society's obsession with images of celebrities and our voyeuristic tendencies when it comes to icons.

Watch Jason Evans' submission to The Fashion Body film series.

Photographer Jason Evans; one of 200 cultural icons captured by Nick Knight for the 30th anniversary issue of i-D magazine.

Witness all the frenetic activity, mad musical mix and stunning visuals of this truly unique extravaganza, filmed live at Abbey Road Studios.

Jason Evans focuses on lifeless shop dummies to explore slightly sinister ideas of consumerism, voyeurism and sexualisation of object and flesh alike.

A fashion film created by photographer Jason Evans in reaction to the Moving Fashion brief.

A travelogue for the digital age: photographer Jason Evans delivered a dose of daily optimism to SHOWstudio, sending back cameraphone shots from his travels.

To tide us over the tense, festive period and into the unchartered New Year, photographer Jason Evans delivered some much-needed daily optimism.

Richard Nicoll collaborated with photographer Jason Evans to create this sequence of intimate portrait images, demonstrating Nicoll's distinctive way of draping and twisting fabric and moments of pure motion fun from Evans.

Photographer Jason Evans' film provides an abstract interpretation of the iconic lyrics of Donna Summer's disco classic, shot entirely on a Motorola phone camera.

Photographer Jason Evans and stylist Simon Foxton played a game of chance with an i-D menswear editorial, captured here in live webcam stills.

Photographer Jason Evans and stylist Simon Foxton teamed up to create a totally spontaneous photoshoot.

Photographer Jason Evans captured Eley Kishimoto's cult Eclipse print in his signature quotidian style.

Photographer Jason Evans documented his personal experience of 2002 in a photo diary exclusively for SHOWstudio.

Jason Evans recorded his unique photographic perspective on the world in words and pictures during a yearlong correspondent residency at SHOWstudio.

Corporate Aesthetics: In his own words, Jason Evans articulates the concept behind his short film.

Emulating the high production values of slick 'fill' or 'sting' breaks, photographer Jason Evans came up with his own version of those 'annoying little bursts of eye candy'.

Snide. Patronising. Tortuous. Whenever photographer Jason Evans turns on the television, he's irritated by those 'annoying little bursts of eye candy'. So he came up with his own version.