Jason Evans
Jason Evans is a photographer who engages with both art and commercial practice. While studying fine art at Sheffield Hallam University, Evans began working in editorial styling and casting in 1989. He started photographing for i-D magazine in 1991 and produced fashion/portrait images throughout the 90s for a range of international titles. Evans is interested in music photography and has worked with Trevor Jackson, Fridge, Four tet, Radiohead and Clinic. Evans exhibited in 'Haven't stopped dancing yet...' at the PPS Gallery, Hamburg (1992), 'Cars' at the Tannery, London (1993) and 'Diary' at the American Museum of Snapshots, Portland (1995). More recently, he curated 'Real Life?' at Dean Clough, Halifax, was featured in 'Look at me' at the Kunsthalle, Rotterdam and published 'W'happen' for the Shoreditch Biennale (1998); he exhibited in 'Dub Housing' at the Camera Gallery, Austria (1999); 'Branded' at Cinch, London, 'Imperfect Beauty' at The V&A, London and 'Man on the Street' at Fabrica, Brighton (2000) and was in 'Century City' at Tate Modern, London, 'UK in NY' at Trump Tower, New York, 'New Acquisitions' at Tate Britain, London, 'Placebo Project' at The V&A, London and 'the photography dept.' at Selfridges, London (2001). Evans is currently working on two book ideas titled 'Me Me Me/ Boys Boys Boys' and 'Mental Image'.
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Now you have the original pattern of a certain garment. It is hard to see what it is just looking at it. The fabric should be some kind of wool... Then, you have the photo that tells you a little bit more. Take a close look at the symbols that are inscribed on the pattern. They are important leads to construct the garment. Now, spread your imagination and good luck! |