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Henry Holland could always be counted on to buck any trend for sober, sombre and pseudo-intellectual dressing. It's simply not in his nature to tone anything down. Indeed, toning up was very much the theme of his Autumn/Winter collection, inspired by the colour-blocked, graduated shades of Pantone colour blocks and...
Last season's Meadham Kirchhoff collection preempted Autumn/Winter's obsession with armorial constructs - witness the duo's plated, patched and laced jeans and bleached-out denim doublets, hard sells at the time but suddenly looking just the ticket. This season there was similar excitement to see where the team would take those ideas...
London, as the smallest of the four fashion capitals, is a well-established and much-beloved breeding-ground for fledgling talent, welcoming new design with open arms and showcasing it to a worldwide stage. Could the confrontational, iconoclastic likes of Westwood, McQueen and most recently Pugh really have made their early presence felt...
With the frenetic, frantic catwalk schedule wearing out even the best of us, it's a pleasure to break with the somewhat staid tradition of the catwalk show for a foray into film. Last season and this, London's 'Prints Charming' David David has opted out of runway presentation in favour of...
Last season, it was Peter Pilotto who showed in the back-to-back early morning slot reserved for up-and-coming talent to watch - graduating from off schedule, to on schedule, to their own defined place on the schedule has been an uphill struggle, it seems. Still, their armorial print dresses of last...
A cash-generating spin-off for most designer brands, perfume rarely features on high fashion's centre-stage (bar an occasional sycophantic editorial credit pandering to the bank-rolling big-buck advertisers in some US publications). But for her fashion week debut, Mary Katrantzou explained her entire collection with a Coco Chanel quote: 'A woman who...
What is a 'Fast' woman? Well, to our grandmothers' generation, 'fast' was a pejorative term, applied to those females of questionable moral integrity who would go to bed with a G.I. for a packet of nylons or a fresh pound of suet. Today, however, a 'Fast' woman is a product...
When a blast of hard, cranked-up rock music and a burst of dry ice opened the Giles show, you had a feeling you were in for one of his rougher, tougher tumbles of a collection. Giles Deacon is a master of marrying street with chic, a punkish edge with haute...
Our Unravelled project gave me a rather unfair advantage at the Louise Goldin show, and one I am unaccustomed too. Confident I knew pretty much exactly what I would be seeing on the runway after six months of painstaking preparation on Louise's part, and hours of documentary footage on ours,...
Remember Jacqueline de Ribes, dressed to excess eighties pop couture and Tom Wolfe's 'Social X-Rays' in ruffled, stiffened and fleshily padded cocktail frocks? Evidently Roksanda Ilincic does as she could have dedicated her Autumn/Winter collection to each and any one of them. This season, Roksanda loves a bit of ruff...
If nothing else, so far we've ascertained that next season's woman is hard - I've used that adjective at least a dozen times in barely four days, and it's not lazy journalism. Marios Schwab took an uncharacteristically literal slant to this for his Autumn/Winter collection, taking inspiration from igneous rock...
Erdem is another of those designers whose soft, flower-strewn vision of rose-tinted femininity suddenly seems to hold no truck in these harsher times. It was interesting, therefore to see exactly how he would progress his brand of unabashed and unashamedly delicate femininity into the increasingly urgent call to arms for...
The tough-girl mood emerging as key for next season's collections has always been Luella Bartley's forte, and with Bobby Gillespie front-row and the younger (and prettier) of the Geldof sisters on the runway, her Autumn/Winter 2009 ode to rock couldn't have come at a better time. Last season's pastel-strewn garden...
Milliner Flora McLean debuted her first House of Flora dress design aspart of SHOWstudio's Future Tense project last year - and she turned to us again when producing her latest Autumn/Winter 2009 design - appropriately enough, titled 'Dress No. 2'. Slow and steady evidently wins the race - McLean plans...
A new knitwear label showing for the first time as part of London fashion week's MAN menswear showcase, Sibling is the brainchild of Sid Bryan, Joe Bates and Cozette McCreery. Young though this label may be, it does not want for experience: their hands have been behind knit-wittery for the...
With the lurid pink branding of Barbie's fiftieth anniversary splashed about Danielle Scutt's Autumn/Winter show as sponsor, you'd be forgiven for thinking her brand of hard, aggressive power-dressing may have been mellowed by the adumbrated stereotypes of feminine fripperies. You'd be dead wrong. Scutt's vision has always been tough, and...
Aquascutum occupies a tricky position in contemporary British fashion. Essentially the staid and dowdy sister of luxury goods behemoth Burberry, the brand is nevertheless resolved to revitalise its fortunes and reinvent itself as a high-fashion brand. Its seasonal showing at London fashion week, lavishly staged and packed with top models,...
Have Eley Kishimoto had their freeview box firmly tuned to reruns of the short-lived BBC sitcom 'The High Life' for the past six months? It would appear so, as their latest collection is an inspired and inspiring take on the much-maligned garb of the trolley dolly. The collection opened with...
It is ironic that, besides sharing the same venue and show day, Christopher Kane and Richard Nicoll also shared the same overriding and seemingly contradictory theme: savage, aggressive lingerie. But it is a mark of their individual, inestimable talents that despite the similarities, each bore the designer's distinct signature. Nicoll's...
Fragility isn't a word we've been hearing for Autumn/Winter 2009, but at first glance it seemed to be Christopher Kane's leitmotif. In contrast to just about every other show, packed with armorial tweeds, buttoned and buttressed leathers and hefty padded shoulders - in short, a winter wardrobe built for...
Documenting next season as it happens, SHOWstudio updates live and direct from the cream of London's collections for A/W 2009. SHOWstudio Fashion Director Alex Fury will upload show reports throughout the day, accompanied by images captured by veteran catwalk photographer Chris Moore to illustrate the shows and showcase a selection of SHOWstudio's favourite designers through comprehensive image galleries.
Alexander Fury
Alexander Fury is Fashion Director of SHOWstudio. Following his foundation in art at... (more)
Chris Moore
Chris Moore, born Newcastle-Upon-Tyne in 1934, entered the world of fashion at the... (more)
Creative Direction: Paul Hetherington
Editorial and Fashion Direction: Alexander Fury
Catwalk Photography: Chris Moore
Technical Development: Ross Phillips and Dorian Moore
Project Design and Development: Francisco Salvado
Production: Laura Bradley
Design Assistance: Kate Swingler
Editorial Assistance: Rebecca Coleman and Jessica Lau