hello, nico
i appologise if the first statement about temples and meccas seem unclear until now. it's one of those thing when too many thoughts came out together for a walk and didn't end up making sense they were intended to make.
social versus cultural versus creative versus commercial aspect of fashion with pluses and minuses need not be explained on this website, and if i did generalise is to convey the following feeling:
as an art school student in closed-off eastern europe, yet sensetive to the movements in pop (western/eastern) culture, back in the day, i angled my studies towards applied arts eventually moving to complete a fashion degree, hoping to exsercise fashion as a form of privatly creative yet utilitarian and sellable form of art. However, now I am a little jaded by f-word, having worked in the INDUSTRY in both north america and paris. it is a strange sensation to be part of one of the most respected houses yet still feel creatively void and unsatisfied, too see the superficiality of pr/press and to see little of original thought so close to where you'd think it all happens.
pilligrimage (of fashion grouppies) really does happen during fashion week, i find that as an amazing new development, socially.
perhaps too general, but i do think that weight of fashion took on a new demesion recently which has sometimes disturbingly overwhelming effect.