In reply to RupertFJ:
1. I'm quite lucky here as I was schooled in both digital and film medium for photography. I don't have much problems with that and no switching was involved. However having my foundation in film did present to me the differences in handling light on both the mediums.
2. It hasn't changed how I shoot, I may click a few frames more on the digital medium, but I still largely take to the kind of discipline on shooting film as it helps with the archival/storage/sorting of photographs and not having to have thousands of images to go through. It is more of a practical option for me than anything else in terms of workflow.
3. With digital photography the value of each click might be different since film does have a certain value of silver in it, once exposed with the image, there is the "value" of the silver inside the image, an irreversible process. You could trash unwanted images immediately with digital photography. That goes back to the workflow I mentioned in (2), you could trash stuff immediately too, but it would mean distraction from the photoshoot. I've to admit that is just being very anal over the tiny difference. There might be a threat somewhere, but I've not seen it yet.
4. Having it widely available is good for the professional. It means they could operate from a lower capital.
5. Its just one step further from film, since film didn't technologically last two centuries, perhaps another 40 years into the future imaging would take on a new dimension. The photographer may not even be required, or the photographer could even be part of the subject in the image due to the medium of the future.
6. No problems with it now, but again, I won't know if the images would be readable by the computers of the future. With film it is tangible, the image is the image latent on the media. Digital images are chains and chains of numbers that requires a software to decode it into the image.
