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Photography and Filmmaking

Creative, conceptual and technical; contemporary and historical

Juergen Teller

Showing messages 81–89 of 89

Thanks to you guys I've just spent time googling pyjamas (won't go into slippers, way too scary), and here's a brief edited version of what I've found. Enjoy!

http://www.pierogalante.co.uk/servlet/Controller
http://www.space1999.net/~catacombs/main/images/space/cc/spcc277.jpg
http://www.nyblomkollen.se/bdh_filearea/Produktbilder/Rod/paslakan_pyjamas1_stor.jpg

It isn't about being controlling, it's about getting to the point. Yes, have fun on the way, but there isn't necessarily time to piss about. So, take no prisoners!

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Hi Hugo I just seen your web site and i really love the WABI SABI pictures. Pretty work.

greettings

Ignacio

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I'm taking a time-out (going away for the weekend to a place with no web access) so you can all pyjama party in peace... And while I'm away, I'm going to try and find the stop button! This forum is seriously addictive.

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Chris Summerfield
Chris Summerfield
United Kingdom

Someone mentioned that his work sturs up negative and possitive views to his work. does that mean that he delibaretly makes it shocking to create an emotion so that people remember his work and so makes him stand out, I dont think that I have seen an image of his or Richardsons for that matter that I would want to hang on the wall as art, and that to me is what fashion and fine art photography is all about. prefrably without pyjamas have agood week end away from the computer Flux, you and Pony seem to have some strong views on Teller looking at the forum.

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Well, that is exactly what i think he doesn't do on purpose, but of course that is just my interpretation. I haven't felt ''stirring up negative emotions'', whilst viewing his work, so i don't relate to that aspect of other peoples interpretation of his work. I don't find his work to be ''shocking'', not even purposefully shocking, then again, i also don't relate to the supposed grandness some here see in certain peoples work, grandness that translates for me into (partial) blandness, aesthetical conservatism, pseudo modernism etc. All a matter of interpretation, ones own personality reflecting or projecting, personal aesthetical preferences, ideals, values, i guess.

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HGT

Pony. i think your point is very accurate. At the end of the day, what makes something art?

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eucinpyos
eucinpyos
Japan

I'm waaay too far behind on this one to read everything, so I'll just give me two cents and if I'm repeating things, I apologize.

I like some of Teller's work. I think me and him are on a similar level in terms of protocol. Let me see if I can put this into words:

To me there are basically two broad areas of photography, there's studio or intensively controlled environments, and there's non-controlled/spontaneous/available light/snapshot whatever you call it environments. There is lots of middle ground between the two. For me, it would be very hard to bring a model into a large studio space, with a complicated lighting set up and say, for fun sakes, an 8x10 camera and hope to achieve the same thing I do when I have no studio space and am shooting 35mm. Most of my models are usually not used to being photographed. A heaviliy controlled environment has a different effect on them as compared to just their house, or outside or whatever. I have shot studio, and depending on your complex set ups it takes time to get things moving. Teller, I believe, achieves his images by removing some of these elements that really have an impact, not necesssarily negative, on the model and the shots being taken. I guess, that's how he's come to do what he does. Because, obviously, there's photographers out there who can have a complex studio set up and still achieve a spontaneous look. It's still different though, that's why him and Terry have a certain feel and look to their pictures.

Hmm, my point is that, I can understand where he's coming from because I'm in a similar predicament. But we can't dismiss his photography as being non art or high fashion simply because of the lack of complicated and classically "high fashion" elements.

I agree with whomever mentioned the "cupboarding" quote or comment. But if you do things because of how you've done them, without copying anyone consciously, then that's true art, I think. And I can give him and Terry credit on doing what they're doing as being somewhat original.

Now their concepts and subject matter is another thing, I'm strictly speaking from a technical point view, with a twist of the psychological.

I'm going to end with a photographer that I was made aware of by a friend who found our work similar, I reaallly enjoy her work. To me, she's achieving what Teller and Terry are, but with a bit more technical elements.

http://www.marcosantucci.com/elaine/fash_edit/ Her name is Elaine Constantine, and she's a former assistant to Nick as well as a Contributor to ShowStudio.

Thank you for your time!

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Hi Konrad, take a look to William Eggleston´s work, he has a big influence in Teller´s work.

Greettings

Ignacio from Nancy magazine

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Hi Konrad, take a look to William Eggleston´s work, he has a big influence in Teller´s work.

http://egglestontrust.com

Greettings

Ignacio from Nancy magazine

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Showing messages 81–89 of 89


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