As creative director of Kilgour, Carlo Brandelli has fashioned attire for more than his share of international power-figures. It is apt, therefore that his Political Fashion contribution eschews spectacle to focus on the bare-bones of the tailoring pattern themselves and of course the very public figures they will eventually clothe.
View this blog entry >Absolutely fascinating concept that certainly compliments Alex Fury's Essay ... a real beauty !! ... it's .... all about IMAGE and the true 'essence' is safely hidden, ' dressed' and very 'safe ' away from ... the discerning public eye !
It a weird and somehow ironic way it reminds me of an of abattoir .
Hmm, you reveal a little too much about your own agenda, marko ;-)
In what way can a film about fashion not be advertising for the brand? And why is fashion imagery's intrinsic function as tacit advertising a problem, exactly?
And surely the argument about originality being the benchmark of art's authenticity was had about twenty years ago. At Goldsmiths, since you mention it.
Oh, don't get me started. I'm even bored of pointing out that the same boring debates are being had over and over again.
